d+a | Issue 122 • 2021

89 architecture, Suzuki fashioned the acrylic to resemble this classic roofing design. He also wanted guests to be able to appreciate the natural beauty surrounding the cafe. Creating floor-to-ceiling windows helped him achieve just that. “The outdoors is so scenic that we were determined to connect it with the inside in some way. “By focusing the seats in the centre of the café, we managed to create a unique experience for guests, allowing them to take in the greenery and feel as close to nature as possible.” Says Suzuki, “The shrine is spiritually and culturally important to the people of Japan. To show our respect for the land, we sourced our construction and design materials locally. “This was our way of ‘giving back’ to the area and showing appreciation for the land that the resort was built on.” When deciding on the shape of the acrylic feature, Atsushi looked to Uonuma, the hometown of Uonuma Jozo, for ideas. In this city, as it is in other cold or temperate climates, the gable roof is a common sight. In a nod to traditional Uonuma FLOOR PLAN 04. Wraparound bench seating dominate the main dining room. / 05. Oversized windows give guests the chance to appreciate the surrounding natural beauty. 05